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THE ART OF THE SONNET
(Harvard, 2010) xi + 451 pp.
by Stephen Burt and David Mikics, eds.;
Reviewed by Jennifer Wagner-Lawlor.
BRITISH WOMEN POETS AND THE ROMANTIC WRITING COMMUNITY
(Johns Hopkins, 2009) xiv + 349 pp.
by Stephen C. Behrendt;
Reviewed by Mary A. Favret.
CHRISTIAN AND LYRIC TRADITION IN VICTORIAN WOMENS POETRY
(Routledge, 2009) xi + 264 pp.
by F. Elizabeth Grey;
Reviewed by Elizabeth Ludlow.
CONCISE COMPANION TO THE ROMANTIC AGE
(Blackwell/ Wiley, 2009) xi + 300 pp.
by Jon
Klancher;
Reviewed by Richard Matlak.
THE DOMESTICATION OF GENIUS: BIOGRAPHY AND THE ROMANTIC POET
(Oxford, 2009) x + 253 pp.
by Julian North;
Reviewed by Daniel Cook.
ENGLISH ROMANTIC WRITERS AND THE WEST COUNTRY
(Palgrave Macmillan, May 2010)
by Nicholas Roe, ed.;
To be reviewed by .
FELLOW ROMANTICS: MALE AND FEMALE BRITISH WRITERS, 1790-1835
(Ashgate, 2009) xi + 266 pp.
by Beth Lau, ed.;
Reviewed by Stephen C. Behrendt.
MARRIAGE, WRITING, AND ROMANTICISM: WORDSWORTH AND AUSTEN AFTER WAR
(Stanford, 2009) xiv + 283 pp.
by Eric C. Walker;
Reviewed by Beth Lau.
NINETEENTH-CENTURY POETRY AND LITERARY CELEBRITY
(Palgrave Macmillan, 2009)
by Eric Eisner;
To be reviewed by Peter Manning.
PERCY BYSSHE SHELLEY
(Longman, 2009)
by Stephen C. Behrendt, ed.;
Reviewed by Stuart Curran.
PERVERSE ROMANTICISM: AESTHETICS AND SEXUALITY IN BRITAIN, 1750-1832
(Johns Hopkins, 2009) xi + 359 pp.
by Richard C. Sha;
Reviewed by Michael Page.
A RATTLESKULL GENIUS. THE MANY FACES OF IOLO MORGANWG
(Cardiff: University of Wales, 2009 paperback, first published 2005) pp. xviii + 515.
by Geraint H. Jenkins, ed.;
Reviewed by Kenneth Johnston.
REAL MONEY AND ROMANTICISM
Cambridge, June 2010
by Matthew Rowlinson;
To be reviewed by Mary Poovey.
REVOLUTIONARY IMAGININGS IN THE 1790S: CHARLOTTE SMITH, MARY ROBINSON, ELIZABETH INCHBALD
(Palgrave, 2009)
by Amy Garnai;
To be reviewed by .
ROMANTIC AUTOBIOGRAPHY IN ENGLAND
(Ashgate, 2009) ix + 219 pp.
by Eugene Stelzig, ed.;
Reviewed by James O'Rourke.
ROMANTIC WRITING AND THE EMPIRE OF SIGNS: PERIODICAL CULTURE AND POST-NAPOLEONIC AUTHORSHIP
(Virginia, 2010) x + 236 pp.
by Karen Fang;
Reviewed by David E. Latane.
ROMANTICISM AND CELEBRITY CULTURE, 1750-1850
(Cambridge, 2009)
by Tom Mole, ed.;
To be reviewed by Peter Manning.
ROMANTICISM, SINCERITY AND AUTHENTICITY
(Palgrave Macmillan, June 2010)
by Tim Milnes and Kerry Sinanan;
To be reviewed by Monica Smith.
SHELLEY'S MUSIC: FANTASY, AUTHORITY, AND THE OBJECT VOICE
(Ashgate, 2009)
by Paul A. Vatalaro;
Reviewed by Stuart Peterfreund.
TEXT AS PROCESS: CREATIVE COMPOSITION IN WORDSWORTH, TENNYSON, AND DICKINSON
(Virginia, 2009) xi + 302 pp. 18 illustrations.
by Sally Bushell;
Reviewed by Richard Brantley.
THE TRUTH ABOUT ROMANTICISM PRAGMATISM AND IDEALISM IN KEATS, SHELLEY, COLERIDGE
(Cambridge, May 2010)
by Tim Milnes;
To be reviewed by Annalisa Volpone.
THE UNFAMILIAR SHELLEY
(Ashgate, 2009), pp. xix + 369 pp.
by Alan M. Weinberg and Timothy Webb, eds.;
Reviewed by Stuart Curran.
WAR AT A DISTANCE: ROMANTICISM AND THE MAKING OF MODERN WARTIME
(Princeton, 2010) x + 262 pp.
by Mary A. Favret;
Reviewed by James Tatum.
WORDSWORTH'S POETIC THEORY
(Palgrave Macmillan, 2009)
by Stefan Uhlig and Alexander Regier, eds.;
To be reviewed by Leslie Brisman.
WORDSWORTH'S POETIC THEORY: KNOWLEDGE, LANGUAGE, EXPERIENCE
(Palgrave Macmillan, 2010), vii + 220pp.
by Alexander Regier and Stefan H. Uhlig, eds.;
Reviewed by Leslie Brisman.
WRITTEN ON THE WATER: BRITISH ROMANTICISM AND THE MARITIME EMPIRE OF CULTURE
(VIRGINIA, 2010)
by Samuel Baker;
To be reviewed by Richard Lansdown.
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