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BRITISH STATE ROMANTICISM: AUTHORSHIP, AGENCY, AND BUREAUCRATIC NATIONALISM
(Stanford, 2009) viii + 204 pp.
by Anne Frey;
Reviewed by Andrew McCann.
CHARLES DICKENS, A TALE OF TWO CITIES AND THE FRENCH REVOLUTION
(Palgrave US, 2009) xi + 212 pp.
by Colin Jones, Josephine McDonagh and Jon Mee;
Reviewed by Laurence Davies.
FOR THE RECORD: ON SEXUALITY AND THE COLONIAL ARCHIVE IN INDIA
(Duke, Fall 2009)
by Anjali Arondekar;
To be reviewed by Josna Rege.
INTELLECTUAL POLITICS AND CULTURAL CONFLICT IN THE ROMANTIC PERIOD-SCOTTISH WHIGS, ENGLISH RADICALS AND THE MAKING OF THE BRITISH PUBLIC SPHERE
(Ashgate, April 2010)
by Alex Benchimol;
To be reviewed by Kevin Gilmartin.
MEN AND THE MAKING OF MODERN BRITISH FEMINISM
(Stanford, 2010)
by Arianne Chernock;
To be reviewed by Sonia Hofkosh.
THE POETRY OF CHARTISM: AESTHETICS, POLITICS, HISTORY
(Cambridge, 2009). ix + 299 pp.
by Mike Sanders;
Reviewed by John Plotz.
THE PRISON AND THE AMERICAN IMAGINATION
(Yale, 2009)
by Caleb Smith;
To be reviewed by Donald Pease.
A RATTLESKULL GENIUS. THE MANY FACES OF IOLO MORGANWG
(Cardiff: University of Wales, 2009 paperback, first published 2005) pp. xviii + 515.
by Geraint H. Jenkins, ed.;
Reviewed by Kenneth Johnston.
SYDNEY OWENSON, LADY MORGAN, AND THE POLITICS OF STYLE
(Academica Press, 2009)
by Julie Donovan;
To be reviewed by Christopher Nagle.
WAR AT A DISTANCE: ROMANTICISM AND THE MAKING OF MODERN WARTIME
(Princeton, 2010) x + 262 pp.
by Mary A. Favret;
Reviewed by James Tatum.
THE WORKING-CLASS INTELLECTUAL IN EIGHTEENTH- AND NINETEENTH-CENTURY BRITAIN
(Ashgate, 2009), pp. x + 257
by Aruna Krishnamurthy, ed.;
Reviewed by Cassandra Falke.
WRITTEN ON THE WATER: BRITISH ROMANTICISM AND THE MARITIME EMPIRE OF CULTURE
(VIRGINIA, 2010)
by Samuel Baker;
To be reviewed by Richard Lansdown.
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